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Welcome to Part 2 of our exclusive interview with Michael Gregorjev Murn, a renowned Slovenian contemporary artist celebrated for his innovative approach and diverse use of mediums. In this continuation, Murn delves deeper into the distinctive elements that define his artistry, sharing insights into his creative process, his experiences with unconventional materials, and his perspectives on the art world.
Join us as we explore the themes and inspirations behind Murn’s vibrant and thought-provoking works, and gain a closer look at the unique practices that make his art truly exceptional.
What makes your art unique?
My art is known for its diverse use of mediums like painting, drawing, photography, ready-mades, assemblages and collages. I strive to push artistic boundaries by merging different disciplines and experimenting with unique techniques. My pieces feature vibrant colors, dynamic compositions, and themes that provoke thought, reflecting my commitment to innovation.
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Additionally, they tackle societal issues, embrace cultural diversity, and offer personal insights, inviting deeper engagement from viewers. My dedication to exploring new artistic realms underpins the distinctiveness of my work.
Have you ever experimented with unconventional or new mediums in your artwork? If so, what was your experience?
Yes, I’ve experimented with a range of unconventional mediums in my art. I’ve worked with mixed media, photomontages, collages, and assemblages, using everything from found objects and consumer goods to industrial materials.
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What types of art do you like to surround yourself with?
Besides being an artist myself, I am also an avid collector and have amassed over 600 artworks from various international artists. I have a passion for acquiring art during my travels, and admittedly, my living space has long since become too small to exhibit all the pieces I have gathered over the years.
I have a particular fondness for antiques and discovering neglected artworks in poor condition; it gives me immense satisfaction to restore these pieces, breathing new life into them and restoring their former glory. As for preferences — I appreciate all different styles, techniques, and motifs. Essentially, if a piece captures my attention and sparks my interest, I am drawn to it.
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Are there any recurring themes or motifs in your artwork, and if so, what do they represent to you?
My artwork frequently addresses themes of cultural identity, societal commentary, and human experiences. I blend traditional and contemporary elements to examine the complexities of cultural heritage and its modern adaptations.
Urban life, consumerism, and the human condition also feature prominently, allowing me to explore broader social issues and individual perspectives within today’s society. Overall, these recurring themes and motifs underscore my continuous exploration of identity, society, and the human experience in my art.
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Do you have a specific routine or ritual you follow when creating art?
I don’t follow a specific routine or ritual when creating art; my process is very impulsive. Inspiration can strike at any moment, even during a regular workday in my office. Recognizing this, we’ve set up an atelier space as part of our headquarter premises to allow me to create whenever inspiration hits.
A unique aspect of my artistic practice is that I often paint and create while dressed in a suit. This not only fits my professional environment but also reflects the spontaneous and unconventional way I approach my art.
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There are so many artists today creating amazing art in a vast array of mediums and styles, do you ever feel the pressure of competition?
While the presence of so many talented individuals might seem to heighten competition, I view this as a positive thing. Competition encourages us to strive for excellence and push our boundaries—it brings out the best in us.
The art market is indeed crowded, and to distinguish oneself amid such a wealth of talent requires not just skill but also something unique—an X factor. Moreover, I strongly believe that to succeed in the current climate, artists must also embrace the role of a businessman.
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Part 3 is Coming Soon!
Interview organized by AAMI Corporation. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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