Stories
Balancing Satire and Storytelling: Exclusive Interview with Kamal Ahmed on Crash the System, Creative Risks, and Season 2 Evolution | Part 2
In this second part of our exclusive interview with Kamal Ahmed, the writer and director of the critically acclaimed mini-series Crash the System, we take a closer look at the creative vision behind the project. Ahmed opens up about the challenges and rewards of blending sharp social commentary with engaging storytelling, discussing how speculative elements—such as extraterrestrial beings and tech corruption—help amplify the show’s commentary on real-world issues.
He also reflects on how audience feedback shaped Season 2, his approach to navigating the fine line between provoking thought and provoking outrage, and the importance of staying open to creative risks. Ahmed’s insights provide valuable lessons for anyone seeking to step outside their artistic comfort zone.
What were the biggest challenges in writing and directing Crash the System, particularly given its satirical yet dramatic tone?
Honestly, there weren’t many challenges. The actors I work with are like-minded and deeply understand the themes. There’s rarely a need to over-explain. Everyone was aligned, which made the process smooth.
The show takes aim at a wide spectrum of societal issues. How do you strike a balance between entertaining your audience and delivering biting social commentary?
Entertainment comes first. I don’t try to preach or take sides. My goal is to show multiple perspectives—the good and the bad—and let the audience draw their own conclusions.
The series touches on themes like extraterrestrial beings and tech corruption. How do these speculative elements enhance the show’s commentary on real-world issues?
Speculative themes allow us to explore big questions: Are we alone in the universe? How does technology shape or control us? These ideas resonate because they’re already on people’s minds. By blending them with real-world issues, the show taps into collective curiosity and concerns.
How has audience feedback shaped the evolution of Crash the System from Season 1 to Season 2?
One consistent piece of feedback was about pacing. Some thought the episodes were too long, so I streamlined them for Season 2. Beyond that, I’ve stayed true to my vision.
Do you view Crash the System as a cautionary tale, or is it more of a mirror reflecting our current reality?
It’s both. The parallel Earth setting reflects our reality while warning against repeating certain mistakes.
Many artists struggle when shifting from one genre to another. What advice would you give to creators looking to step outside their comfort zones?
Growth comes from venturing into the unknown. If you try something new and it doesn’t feel right, you can always return to what you know. But stepping out of your lane can spark exciting discoveries.
Satire is a powerful tool for confronting uncomfortable truths. How do you navigate the line between provoking thought and provoking outrage?
It’s a fine line. The work invites audiences to think critically, but I never spell everything out or push an agenda. The characters and stories have multiple layers, leaving interpretation up to the viewer.
How does your creative process evolve when dealing with such varied mediums and genres, from comedy albums to dramatic mini-series?
Inspiration comes unexpectedly—a scene on the street, a memory, or even a random thought. Creativity is about staying open to those sparks and letting them guide you. When ideas slow down, you just wait until the next one arrives. Everyone has this potential within them.
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Interview organized by Kala Jerzy. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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