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Whistler’s First Portrait Commission Sells for Five Times Estimate, Fetching $495,000
BY ALBERT CHEN
A long-unseen work by one of the 19th century’s most influential painters ignited a bidding frenzy at Bonhams New Bond Street in London, as James McNeill Whistler’s very first portrait commission soared to £406,800 (approx. $495,000)—more than five times its low estimate of £80,000 (approx. $97,000). Offered to the market for the first time in nearly six decades, Portrait of Lucas Alexander Ionides drew intense interest from collectors and institutions alike, marking a watershed moment for early Whistler works.
Painted in 1859–60, shortly after Whistler relocated from Paris to London’s historic artists’ quarter in Newman Street, the portrait represents not only a rare glimpse of the American artist’s formative period but also the beginning of a lifelong artistic and personal bond with the Ionides family, prominent Greek-origin patrons of the arts in Victorian London.
Commissioned by Alexander Constantine Ionides, the father of Lucas, the painting captures him with remarkable tenderness and psychological depth. It was accompanied in the sale by the original typed manuscript of Memories, the 1924 memoir in which Lucas Ionides fondly recalls his friendship with Whistler.
“This was the first time Whistler’s Portrait of Lucas Alexander Ionides had ever been offered at auction, and so it is no surprise there was so much interest,” said Charles O’Brien, Head of 19th Century British and Impressionist Art at Bonhams. “The work is an outstanding demonstration of Whistler’s early talent for portraiture, as well as revealing the tenderness for his friend.”
The portrait enjoyed pride of place in the Ionides family homes—first at Tulse Hill, then at the iconic 1 Holland Park—until it was passed down to Lucas’ son Cyril in 1924. It remained in the family for over a century until 1968, when it was sold to collector Michael Carruthers, whose family retained the piece ever since. Though briefly exhibited in a 1960 Arts Council retrospective in London and later in New York, the portrait has not been seen publicly in over half a century—making its reemergence, and record-breaking sale, all the more sensational.
As art historians and collectors continue to re-evaluate Whistler’s early oeuvre, the sale underscores the enduring fascination with his evolving style and storied connections. For a painting hidden from public view for generations, its dramatic return to the spotlight has proven nothing short of historic.
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