MoMA studies Georgia O’Keeffe’s works on paper made in series

From April 9 through August 12, 2023, the Museum of Modern Art presents “Georgia O’Keeffe: To See Takes Time”, the first exhibition to investigate the artist’s works on paper made in series.

Source: The Museum of Modern Art (MoMA) · Image: Georgia O’Keeffe. “Evening Star”, 1917. Watercolor on paper. 13 3/8 x 17 11/16” (34 x 45 cm). Yale University Art Gallery. The John Hill Morgan, B.A. 1893, LL.B. 1896, M.A. (Hon.) 1929, Fund, the Leonard C. Hanna, Jr., Class of 1913, Fund, and Gifts of Friends in Honor of Theodore E. Stebbins, Jr., B.A. 1960. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York

Using charcoal, watercolor, pastel, and graphite, she explored forms and phenomena—from abstract rhythms to nature’s cycles—across multiple examples. Some of these sequences also gave rise to related paintings, which will be installed alongside these works on paper. “Georgia O’Keeffe: To See Takes Time” reveals a lesser-known side of this artist, foregrounding O’Keeffe’s persistently modern process on paper. Over 120 works created over more than four decades—including key examples from MoMA’s collection—demonstrate the ways in which O’Keeffe developed, repeated, and changed motifs that blur the boundary between observation and abstraction. Seen together, these works demonstrate how drawing in series allowed O’Keeffe to revisit and rework subjects throughout her career, and reveal the thoughtful material choices behind her resplendent compositions.

Though MoMA’s 1946 Georgia O’Keeffe exhibition was its first retrospective of a woman artist, the Museum has not had an exhibition devoted to the artist since. This exhibition is the first to reunite drawings that are most often seen individually, in order to illuminate O’Keeffe’s innovative serial practice. In the formative years of 1915 to 1918, O’Keeffe made more works on paper than she would at any other time, producing her breakthrough series of charcoals and sequences in watercolor of abstract lines, organic landscapes, and nudes. While her practice turned increasingly toward canvas after this period, important series on paper reappeared—including flowers of the 1930s, portraits of the 1940s, and aerial views of the 1950s—all of which are included in this exhibition.

“O’Keeffe’s works on paper are the perfect expression of her belief that ‘to see takes time,’” says associate curator Samantha Friedman. “She recognized the necessity of slowing down for her own vision, and, in turn, her sequences of drawings invite us to take time in looking.”