Eliana P. Gómez: Unveiling Hidden Histories in Art and Sacred Relics

By Jennifer McKay

Eliana P. Gómez, a distinguished researcher and art historian, began her academic journey at the Manuel Belgrano School of Fine Arts. Her multidisciplinary education in history, art history, ancient cultures, and library science provides her with a uniquely comprehensive perspective for exploring the mysteries of the past.

Groundbreaking Research on Leonardo da Vinci

Among Gómez’s most significant contributions is her research into hidden letters and symbols in Leonardo da Vinci’s works. She has studied several masterpieces, including:

Salvator Mundi – Her analysis has opened new debates in the art world, potentially shedding light on the painting’s controversial authorship.

The Mona Lisa, Saint John the Baptist, Self-portrait of Turin, and Christ of Lecco – In the case of Christ of Lecco, Gómez used LAM photographs by Pascal Cotte, which allowed her to produce a more refined edition that highlights a signature—or possible signature—attributed to Leonardo.

This research invites a reevaluation of these iconic works and their hidden layers of meaning.

Beyond Artistic Technique: Symbols, Contexts, and Meaning

Gómez’s approach goes beyond conventional art analysis. She integrates historical context and symbolic interpretation, using her deep knowledge of ancient cultures to uncover overlooked narratives that enrich our understanding of art history.

Her studies, especially of Il Cristo di Lecco and The Last Supper, emphasize the importance of examining not only the works themselves but also the historical and symbolic mysteries that surround them.

Following the Traces of an Iconic Past: The Holy Shroud of Christ

Gómez has also turned her attention to one of history’s most sacred relics: the Holy Shroud of Christ. Her work explores the possibility that ancient inscriptions—Greek, Latin, and potentially other dialects—are hidden within its fabric.

Using what she describes as “deferred optics”—a method where certain lines emerge while others fade, revealing opposite perspectives—Gómez analyzes comparative images to uncover new historical evidence that may transform our understanding of the Shroud.

Historical Anchors: The Date 1592

A key reference point in her research is the year 1592, when Pope Clement VIII elevated the Confraternity of Savoy and Piedmont to an Archconfraternity under the title Sacra Sindone (Holy Shroud). This remains a vital date in the documented history of the relic.

Symbolism and the Language of Numbers

An important dimension of Gómez’s work includes symbolic numerology and language:

The Number 5 – This number, frequently present in her findings, holds deep symbolic meaning. In Greek numerals, it corresponds to Epsilon, representing harmony and humanity. In biblical tradition, it relates to the five manifestations of the Holy Spirit: wisdom, understanding, counsel, power, and the Spirit of the Lord.

Psi (Ψ) and “Vi” – Psi, from Greek, relates to “psyche” or soul, while “Vi,” from Latin, may mean “force” or “through strength,” enriching her interpretations of hidden symbols.

These findings also intersect with the mathematical beauty of the Fibonacci sequence and the golden ratio—concepts Leonardo da Vinci famously incorporated into his work, blending science, art, and spirituality.

A Continuing Exploration

Eliana P. Gómez’s research represents a unique fusion of art, history, symbolism, and science. Her work is ongoing, inviting scholars and the public to witness the unveiling of hidden traces from the past.

Through her publications, lectures, and social media, Gómez shares her findings, offering an extraordinary perspective on the connections between art, history, and spirituality. Her research reminds us that the past still has secrets waiting to be discovered—secrets that challenge us to look deeper and see beyond the visible.

For more information about her research, visit her LinkedIn profile: Eliana P. Gómez