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6th Edition of GEMGENÈVE Jewellery Exhibition Will Feature Emerging Talents & New Designers

Hosted by Nadège Totah, the 6th Edition of GemGenève is proud to welcome new talented jewellery designers who will have the opportunity to exhibit their shining creations in a dedicated space. Their jewellery art offer a fascinating glimpse into a very different universe of ideas and inspirations, a world of innovation and ingenuity that highlights each creator’s individuality.

With very different styles and techniques, each designer draws inspiration from the mysteries of nature in order, as they explain, to create collections imbued with the powerful symbolism that has always been an essential element of jewels. All of these designs share a common focus: the meaning, message and role of the jewel, far beyond the purely ornamental, giving them a value that exceeds their intrinsic worth. Above all, the gemstone is and has always been a talisman to protect and invoke goodwill; a talisman to keep close to us at all times, reminding us to live in a harmony of body, heart and soul.


Emerging Talents



Fred Fa, Belgium


An outstanding designer, Fred Fa does all his sketches, technical drawings and gouache jewellery designs by hand. His brilliant craftsmanship, sculptural abilities and technological knowhow allow him to create extraordinary, bespoke pieces – including masterworks enhanced and set with exceptional stones.


Aso Leon, China


Aso Leon is an award-winning jewellery artist in China who has been working in the jewellery industry for 27 years. In 1995, when he first came into contact with jewellery, he found that it stimulated his curiosity.

Aso pursued unique design concepts and immersed himself in exploring nature. He discovered that not everything in nature is perfect; there is also incompleteness. He uses this sense of incompleteness to reflect a different kind of beauty in his creative process. He moved into titanium in 2005, applying it to high jewellery, and becoming known as the ‘Prince of Titanium’ in the Chinese jewellery industry.

ASO has been engaged in OEM jewellery production in Panyu, China for more than 20 years, and has now established himself as a jewellery artist on the international stage, transforming ‘Made in China’ into ‘Created in China’.


Denise Cassou Couture Jewelry, Brazil


As an impassioned traveler, photographer, filmmaker and designer, Denise has always sought out art and fashion as sources of inspiration for her numerous projects.

For many years she designed and made jewellery for herself, her daughters and close friends. From this universe so rich in details and inspiring stories a brand was born, its artistic expression focused on unique jewels and a love of design.

The understanding that jewels are laden with history and special moments as they are handed down from one generation to another inspires Denise. Femininity, delicacy, elegance and modernity are present in all of her pieces.


Wallis Hong, Spain


Wallis is a self-taught multidisciplinary jewellery artist based in Spain. The China-born artist’s mother is a musician and art collector, and it was his mother’s aesthetic influence that made Wallis sensitive to art and jewellery from an early age.

Wallis studied sculpture and painting at the Madrid Academy of Art. As a perfectionist by temperament, he always seeks to learn as many jewellery-making skills as he can from the very best master jewellers around the world, with the aim of perfecting the structure of his jewellery pieces.

His presence at GemGenève in November 2022 was noticed by the international press; Wallis has been in great demand ever since. His iconic ‘Thorn shell’ earrings have been added to the permanent collection of the Shenzhen Jewellery Museum in China.


New Designers



Austy Lee, Hong Kong


Austy’s jewellery is the perfect example of how jewellery should be – bold, psychedelic, sculptural and complex. The inspirations and styles of Austy’s collections are derived from an eclectic mix of themes, from pop-punk and edgy, to religion, antique and fashion. The use of colourful and rare gemstones combined with Austy’s unique talent creates truly exquisite, meticulous works of wearable art.

‘aUSTY Lee’ is an eponymous brand of high jewellery, with excellent craftsmanship and fashion-forward designs, bringing people refreshing, yet exclusive, one-of-a-kind art jewellery pieces.

With extensive experiences in the Jewellery industry, Austy feels that Jewelleries should be appreciated and owned by not only the noble ones, but also every single family from different levels of the society. aUSTY LEE is the brand which creates a new era of high jewellery through its antique yet edgy design by using 18K Gold and various precious gemstones, bringing every family a piece of unique art jewellery with reasonable price as a family heirloom.


A.win Siu, China


With the mindset and vision of an illustrator, A.win Siu expresses and visualizes emotions and sensations through the use of bold colours alongside combinations of metal and minerals, creating a peculiar and fantastic world within each piece.

Founded in November 2017, the jewellery brand A.win Siu has designed many jewellery items over the years, each with its distinctive personal style, and has participated in many well-known international exhibitions. Its first time at GemGenève is an opportunity not to be missed.


Serendipity Jewelry, France


Serendipity Jewelry, one of the Emerging Talents at the November 2022 edition, will be back in May 2023 in the ‘New Designers’ category. Serendipity Jewelry was founded in Paris by Christine Chan in 2017.  She discovered her passion for stones during a trip to Australia over 10 years ago – a chance encounter that led to the birth of a beautiful brand.

With Serendipity Jewelry, Christine Chan presents a beautiful collection of pieces in a blend of respect for nature, respect for freedom and respect for oneself, with the result that each piece of jewellery has its own perspective, temperature and depth.


Tenzo, Estonia


Founded in 1996, the firm has evolved from a treasure trove of the rarest gemstones on the planet into a house of exquisite jewellery. TENZO brings together art and design, sublime proportions, emotive colours, natural gemstones and impressive workmanship.

Alexander Tenzo and his team of world-class craftsmen explore refined techniques, etched and patinated gold settings, seamless joints and delicate, airy gemstone settings, blending their own warm, rich, softly burnished gold tones and working with soft yet tough alloys as they add finesse and intricate detail to their one-of-a-kind jewellery and artwork.

TENZO breathes new life into almost-forgotten glyptic art, cameos, intaglios, and strikingly realistic carved stone figures, animals and flowers. TENZO collections are displayed in private art exhibitions and museums.


Location, Date, Hours


May 11 – 14, 2023

Opening Hours: 10 a.m. – 6.30 p.m.

Palexpo Hall 1, Route François-Peyrot 30, 1218 – Le Grand-Saconnex, Geneva, Switzerland

Entrance through Gate 1

Press Conference will be held at 11:00 a.m and Preview at 2 p.m. on May 10, 2023

Cash desk closes at 5.30 p.m. on May 14

Price: CHF 50.00, valid for the entire duration of the exhibition; admission free for under-18s and students on presentation of their student card.


GemGenève represents a unique hub where jewellery designers, dealers in precious stones, retailers, collectors, connoisseurs and buyers both professional and private can all gather under the same roof. Over the course of four days, GemGenève offers an opportunity to acquire exceptional pieces and be inspired by a community of specialists in the field of gemology and jewellery. It’s a laboratory of creativity and innovation, bringing together recognized designers and emerging talents, a world of design, of rare gems, of antique and contemporary jewellery. Created by exhibitors for exhibitors, GemGenève offers a platform for expression and exchange that encompasses passion, expertise and education.

Story submitted by Agence PUR PR. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News

50 years after his death, Picasso is more alive than ever

50 years after his death, Picasso is more alive than ever

Today, 8 April 2023, marks half a century since the death of Pablo Picasso. We review some of the exhibitions dedicated to the painter that are being held -or will be held- in 2023.

Source: various museums · Image: Left: Pablo Picasso in 1908. Photo by RMN-Grand Palais // Right: Pablo Picasso in 1962. Source: Vea y Lea, Argentina.

Since February 8, the Musée de l’Homme-Muséum national d’histoire naturelle in Paris is presenting “Picasso and the Prehistory”, an exhibition that includes paintings, sculptures, drawings, ceramics and engraved pebbles. And since February 19, the Fondation Beyeler in Basel is hosting “Picasso. The Artist and the Model: Last Paintings”, presenting a selection of ten late paintings showing images of artist and model. From 17 March to 18 June 2023, the Albertina Museum in Vienna shows 18 paintings from the Museum’s own collection and a total of over 70 works by “a man who, even during his own lifetime, had become the archetype of the modern artist”, as the Museum states in a press release. Starting today, the Musée Picasso, Antibes, is presenting “Picasso 1969-1972: The End of the Beginning”. From July 13 to October 15, 2023, the Collection Lambert in Avignon will present “Picasso à la Collection Lambert en Avignon 50 ans après”.

Of course, several museums in Spain (Picasso’s native country) are dedicating exhibitions to the artist. From March 23 to June 25, the Museo de Bellas Artes de A Coruña (the city where Picasso lived from 1891 to 1895, before moving to Barcelona) presents “Picasso, blanco en el recuerdo azul” (Picasso, white in blue memory). From March 29 to July 2, the Real Academia de Bellas Artes de San Fernando, Madrid, presents “Picasso. Masterpieces from the Nahmad Collection.” Starting today and until September 10, the Museo Picasso in Málaga organizes the exhibition “Picasso: matter and body”. From June 13 to September 17, 2023, the Museo Nacional del Prado hosts “Picasso – El Greco”, an exhibition that examines the relationship between these two revolutionary painters. From 4 October 2023 to 14 January 2024, the Museo Thyssen in Madrid presents “Picasso. The Sacred and the Profane”, an exhibition that includes around 30 works. And from 14 November 2023 to 4 March 2024, the Museo Nacional Centro de Arte Reina Sofía will host “Picasso 1906. The Great Transformation”, an exhibition that “aims to shed light on the artist’s attention to the body and its construction from a contemporary perspective around 1906, a key year in Picasso’s production and life.”

In America, the Mint Museum, Charlotte, is hosting “Picasso Landscapes: Out of Bounds” (February 11 – May 21, 2023), an exhibition of more than 40 works spanning Picasso’s full career. From May 12 to August 6, 2023, the Guggenheim Museum will present “Young Picasso in Paris”, defined as “an intimate exhibition comprising a total of ten paintings and works on paper executed during Pablo Picasso’s introduction to the French capital”. From October 1, 2023, to February 10, 2024, the Museum of Modern Art will present “Picasso in Fontainebleau”, an exhibition “examining three months in a legendary artist’s career, when he created an astonishingly varied body of work between July and September 1921 in the town of Fontainebleau, France”, as the MoMA states in a press release. And from October 6, 2023, to January 7, 2024, the recently reopened Hispanic Society Museum & Library will present “Picasso and La Celestina.”

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Exclusive Interview with German Sculptor & Videographer freaky-Deek | Part 3

AD-01 © freaky-Deek

PART 2 of our Exclusive Interview with freaky-Deek


Freaky-Deek is a talented sculptor and videographer hailing from the Black Forest region in Germany. He has been showcasing his work in various galleries, exhibitions, and social media platforms. Having grown tired of just typing on a keyboard, freaky-Deek decided to dive into his creative passion and start his own business. As a former figurine collector, he wanted to create something truly unique and dynamic. So, he combined his electronics skills with his love for art and crafted sculptures with added features such as lights and sound. Recently freaky-Deek embarked on a new journey with the creation of a one-of-a-kind polymer clay cyborg sculpt, known as Project AD-01.

AD-01 © freaky-Deek

What is the primary skill set one must possess to be a good sculptor? 

Well, I still don’t know what a good sculptor is, but what I am very sure of   is the fact that, if you want to build something you haven’t done before, you absolutely have to be highly passionate about it in order to be able to push through to the end. It is a journey of many setbacks until things become easier, and you have to be convinced of the idea you’re trying to portray.

On average, how long does it take for you to create an artwork? 

It all depends the complexity and scale. I’m constantly expanding both of these factors. For example ‘The Tank Girl’ alone took about 100 hours, plus video work. Project AD-01 took 18 months! I stopped counting the hours as it wouldn’t make sense anymore. When I do smaller commissions-based works, like ‘The Goomba’ piece, I try not to take longer than a 1 month, but it all depends on the client. I just don’t want people having to wait too long for their commission. 

Tank Girl © freaky-Deek

Are sculptures currently in demand and what is the state of this market from your perspective? 

Handmade sculptures are always in demand and, in my opinion, they always will be, as there is a very personal connection to it usually… a memory of a certain video game, a scene from a movie, a certain pose, or colour scheme… These are just a few examples why people associate with a sculpture, diorama, or an action figure. But my feeling, with the global financial situations right now, is that people are being more careful about how they send their money.

I also think we’re at the verge of a massive change, especially because of AI. But that doesn’t mean physical art will get extinct – it just changes. Compare it with the 90s, when Photoshop first hit the market – every illustrator thought that it will be the end for physical illustrations and paintings, yet artists still paint on canvas! I think real art has has become even more valuable because it’s not easy to do things physically, and because a completely new profession arose simultaneously – the digital artist. So, in my opinion, one medium doesn’t kill the other, instead it makes art more unique and valuable.

The Goomba © freaky-Deek

Are you a full-time artist and is it hard to make a living with your art?

I’m still in the beginnings stages of my art career, so I often do other work like video editing or other part-time jobs to maintain and expand my art projects. Being a sculptor is always a serious financial gamble. Right now, it’s a lot of hard (but rewarding) work with unstable income. At the same time I also think it is important to not sell your work underpriced. Your effort has value, and it is important to stay true to that.

How do you price your work? 

I try not to speak publicly about my prices that much, but I can explain the process of how I come up with the price a little. For a commissioned piece, it is all about convincing me that this is something I might love doing. Without that, no money in the world is worth even trying it. When someone approaches me with an awesome idea, that is usually the starting point for the project. From there on, together, we develop the “internal movie” that I mentioned earlier. It is so important to have a collective vision. After the concept is settled, I start with drafts and tiny prototyping, followed by calculating the material costs and time I need to build it.

Tank Girl © freaky-Deek

Who are your clients and with how many do you work on a regular basis?

Only one at a time. I want to give each commission my full attention.

My clientele varies greatly from one another, so you can’t just pigeonhole them. But what many of them have in common is, that they are mainly private collectors that share similar interests, and were influenced by the same period of movies, games, and comics.

How do you sell your art and which sculptures sell better, larger, or smaller? 

In general. people reach out to me because they have seen something on my social media profiles. Now I have Kickstarter campaigns going. As for which sell better, the smaller ones, because they are easier to store and create, but I think it’s not really comparable.

CAGE © freaky-Deek

Who are your favorite sculptors and why?  

As a matter of fact I don’t have any favourite sculptors simply because the thought never occurred to me, but I do have some favourite visual artists, like film director Zack Snyder and comic book writer Frank Miller. Their cinematic and literary mastery of the dark elements is just amazing. I also like the colorful and witty works of Jamie Hewlett and Alan Martin. Their dystopian and humoristic comics had a big influence on me.

Outside of sculpting, what types of art do you like to surround yourself with? 

I really love music and movies. I really appreciate graphic design, even if I have hard time doing it. But it’s not really about the craft itself – it’s more about the people that pursue it. They are so generous and clever sometimes!

Road Runner and Wile E © freaky-Deek

Do NFTs interest you as an artist? 

I am certainly aware of NFTs and I get the idea, but it is not something I’m pursuing at the moment.

How has COVID impacted your business and what changes, if any, did you have to make? 

Covid was just the weirdest experience for all of us, but it gave me the opportunity to finally start working on Project AD-01.

What advice would you give to your younger self at the beginning of your art career? 

1. A quote from the movie Wayne’s World 2: “If you build it – they will come!”

2. Start from scratch. Believe it. Build it!

3. The most important thing – Be Kind. Otherwise no one will ever care.

© freaky-Deek

www.freaky-deek.com


The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News