The artist has a particular interest in craft traditions—and frequently addresses the fragility of cultural heritage in her work

National Gallery presents “Wright of Derby: From the Shadows”
From November 7, 2025, to May 10, 2026, the National Gallery in London presents the exhibition “Wright of Derby: From the Shadows”
Source: The National Gallery, London · Image: Joseph Wright ‘of Derby’, ‘An Experiment on a Bird In the Air Pump’. The National Gallery, London
Following on from recent exhibitions such as Turner on Tour (2022) and Discover Constable & The Hay Wain (2024), this exhibition will put the spotlight on a well-known British artist in the National Gallery Collection whose work has come to symbolise an era. Traditionally, Wright of Derby has been viewed as a figurehead of the Enlightenment, a period of scientific, philosophical and artistic development in the 17th and 18th century. Challenging this conventional view, the exhibition contributes to the ongoing re-evaluation of the artist, portraying him not merely as a ‘painter of light’ but as one who deliberately explores the night-time to engage with deeper and more sombre themes, including death, melancholy, morality, scepticism and the sublime.
This exhibition will focus on Joseph Wright’s career between 1765 and 1773, during which time he made a series of candlelit scenes. We will show a number of masterpieces from this period including ‘Three Persons Viewing the Gladiator by Candlelight’ (1765, private collection), ‘A Philosopher giving that Lecture on the Orrery in which a lamp is put in place of the Sun’ (1766, Derby Museum and Art Gallery) and the National Gallery’s An Experiment on a Bird in the Air Pump (1768). This marks the first time in 35 years that all these works will be brought together.
In these ‘candlelight’ paintings, Wright of Derby shows thrilling moments, not just of discovery but of shared learning. His dramatic depictions of natural and artificial light link his work back to the artistic traditions of the Renaissance and artists such as Caravaggio, whose strong light and deep shadows were rarely employed in British art before the mid-18th century.
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