The museum has also announced details of the much anticipated David Bowie Centre, due to be housed on the same site
New technologies are helping to protect and preserve the vital eye-witness perspectives of a dwindling but determined community
The mask was produced from a mould made in 1918, after the artist had succumbed to Spanish flu
In its fifth iteration, Forever is Now continues its tradition of installing contemporary works next to ancient sites
It’s the highest honour awarded by the US federal government to artists in a wide range of disciplines and art patrons
The artist’s nine-episode series “Self-Portrait as a Coffee Pot” celebrates creative optimism during the Covid-19 lockdowns
BY MARK ANDERSON
Platform 101, an independent, non-profit institution dedicated to nurturing and showcasing emerging digital artists in Iran, made a profound impact on the country’s digital art scene with its exhibition, Vol. 04: “Geometry of Creation: Analysis of Anti-Rhythmic Structures,” held at E1 Art Gallery.
This groundbreaking event became the largest video art exhibition in Iran’s history, featuring works from 44 artists—23 from Iran and 21 from abroad—representing 12 countries. Curated by Mohammad Ali Famori, founder of Platform 101, and renowned art researcher Ramin Saeidian, the exhibition ran until October 11, 2024.
Since its founding in 2018, Platform 101 consistently championed the evolution of digital art in Iran, with a focus on underrepresented genres such as glitch and fractal art. These forms emphasize imperfection and complexity, moving away from traditional decorative elements to explore deeper artistic structures. Vol. 04, with its striking black-and-white aesthetic, centered on anti-rhythmic structures, demonstrating how fractal patterns evolve amid disruption, a concept explored through video art.
This exhibition built on Platform 101’s legacy of pushing artistic boundaries. It followed the platform’s hosting of Iran’s first glitch video art exhibition in 2019, marking another significant moment for digital art in the country. Mohammad Ali Famori, also known for curating “Glitch in The Sacred Geometry” at “The Wrong Biennale,” collaborated closely with Ramin Saeidian over two years to bring this ambitious exhibition to fruition. Famori expressed his excitement, noting the historic nature of the event, which was Iran’s first to focus solely on fractal art.
The exhibition was divided into two key sections: generative coding art and videography, offering visitors a comprehensive look at fractal patterns—geometric shapes found in both nature and mathematics. These patterns, recognizable by their repeated structures at varying scales, symbolized balance and harmony, but when disrupted by glitches, revealed a unique beauty amid chaos. The artists featured in Vol. 04 explored this duality, showcasing both the order and disarray inherent in fractal designs.
Public Relations Manager and Curator Assistant, Arezou Ramezani, highlighted the significance of gathering global talent for this exhibition. She emphasized the international impact of Platform 101, stating that the event not only marked a milestone for Iranian digital art but also strengthened the country’s role in the global art community.
The exhibition was a major success, attracting both seasoned art enthusiasts and newcomers, continuing Platform 101’s mission to educate and inspire through digital art. “Geometry of Creation: Analysis of Anti-Rhythmic Structures” became a must-see for those interested in the transformative potential of video and digital art, and ran until October 11, 2024.
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Art Vancouver, Western Canada’s premier contemporary art fair, is returning for its 9th edition from April 24 – 27, 2025, at the iconic Canada Place sails (Vancouver Convention Centre East – Hall B). After a successful 8th edition, the 2025 event promises to bring together art lovers, collectors, curators, and creators from around the world to celebrate contemporary art.
Explore Art from Around the Globe
Art Vancouver 2025 will continue its tradition of featuring a diverse selection of art, showcasing the talents of both local and international exhibitors. The fair offers attendees a unique opportunity to experience innovative works that capture the spirit of the West Coast and international art.
Why You Should Attend
More than just an art exhibition, Art Vancouver brings people together. The event provides a space for attendees to discover fresh ideas, engage with gallerists and artists, and experience the latest trends in contemporary art. With increasing attention and participation each year, the 2025 edition is set to feature expanded programming, offering something exciting for everyone—from art professionals to art enthusiasts.
Event Details
Dates: April 24 – 27, 2025
Location: Canada Place (Vancouver Convention Centre East) – Hall B
Tickets: Early Bird tickets are available until January 6, 2025. Secure your tickets at www.artvancouver.net/visitors-information
Exhibitor Applications: Now open for those interested in showcasing their work. Apply at www.artvancouver.net/why-exhibit
Stay Connected: Follow us on Instagram: @artvancouver, Facebook: @artvancouverofficial, and X (formerly Twitter): @Art_Vancouver.
Save the date for Art Vancouver 2025, April 24 – 27.
About Art Vancouver
Founded by the Vancouver Visual Art Foundation in 2015, Art Vancouver is Western Canada’s leading contemporary art fair. The event attracts a dynamic mix of local and international artists, galleries, and art lovers, creating a vibrant environment that celebrates creativity. Now in its 9th edition, Art Vancouver continues to be a must-attend event for anyone passionate about art.
Mark your calendars for April 24 – 27, 2025, and join us for an inspiring weekend filled with art, creativity, and new discoveries.
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Story submitted by the Vancouver Visual Art Foundation. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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Team worn by Lewis Hamilton on the podium, sold for CHF220,000. Photo by IWC SchaffhausenBY ALBERT CHEN
In a remarkable moment for charity, the IWC Schaffhausen watch worn by British Formula One legend Lewis Hamilton on the podium of his record-breaking ninth victory at the 2024 Silverstone Grand Prix was sold at auction for $244,000. Bonhams hosted the online auction in collaboration with IWC Schaffhausen, and the watch was the star of the event, fetching seven times its original estimate. The auction concluded in tandem with The Laureus Charity Night in Zurich on October 19, 2024.
The one-of-a-kind IWC Pilot’s Watch Performance Chronograph 41 Mercedes-AMG PETRONAS Formula One Team, which adorned Hamilton as he celebrated his historic win, was auctioned alongside a framed pair of signed gloves worn by Hamilton during the same race.
The prestigious watch, alongside the gloves donated by Mercedes-AMG Petronas Formula One Team, drew fierce bidding in the auction’s final moments, ultimately raising $244,000 (CHF220,000). All proceeds will support the Laureus Foundation Switzerland, which uses sport to improve the lives of children and adolescents worldwide.
Penny Andrews, Head of Watches at Bonhams London, shared her excitement about the outcome: “Wow, what a night! The generosity of our clients exceeded all expectations, with the spirited bidding in the final ten minutes driving the price far beyond the pre-sale estimate. We are delighted that the IWC worn by Lewis Hamilton during his historic British Grand Prix win sold for such a staggering amount. It’s an honor to be part of this successful IWC partnership, knowing that it will make a tangible difference in many children’s lives.”
The Laureus Charity Night is a key fundraising event for the Laureus Foundation Switzerland, a branch of the international Laureus Sport for Good foundation. Established in 2006, the foundation empowers children and young people through sports programs, fostering integration and personal development, regardless of their gender, background, or health limitations.
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Story submitted by Bonhams. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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Forty-two artists have contributed to The Royal Society of Sculptors fundraising campaign