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The Met reopens 45 newly installed European Paintings galleries

Today, November 20, 2023, the Metropolitan Museum of Art reopens its full suite of 45 galleries dedicated to European Paintings from 1300 to 1800

Source: The Metropolitan Museum of Art · Image: Caravaggio, “The Musicians,” 1597

“Look Again: European Paintings 1300–1800” highlights new narratives and juxtapositions among more than 700 works of art, following an approximately five-year-long project to replace the galleries’ skylights.

The gateway gallery located at the top of the Great Hall staircase, featuring three monumental paintings by Giovanni Battista Tiepolo, introduces the geographic boundaries of the collection while simultaneously inviting consideration of the dynamic nature of European borders and the continent’s ever-changing network of alliances. The galleries then unfold chronologically, setting works of Northern and Southern Europe into direct dialogue, departing from the previous display which focused on national schools and geographic distinctions. In addition to featuring longstanding strengths of the collection—such as individual masterpieces by artists like Jan van Eyck, Caravaggio, and Poussin; the most extensive collection of 17th-century Dutch art in the western hemisphere; and the finest holdings of El Greco and Goya outside Spain—the reconfigured galleries gives renewed attention to women artists, explore Europe’s complex relationships with New Spain and the Viceroyalty of Peru, and look more deeply into the histories of class, gender, race, and religion. Recent acquisitions are highlighted, such as William Wood’s exceptional portrait of Joanna da Silva, Clara Peeters’s floral still life, and Francesco Salviati’s portrait of Florentine banker Bindo Altoviti. Select works from other curatorial departments—including works of sculpture, metalwork, decorative arts, musical instruments, and modern art—further augments the gallery narratives.

The complete replacement of 30,000 square feet of skylights above Galleries 600 to 644 marks the largest infrastructure project in the Museum’s history. The momentous undertaking significantly improves the quality of light in the space and considerably enhances the viewing experience, in addition to resolving basic maintenance issues and increasing energy efficiency. The previous skylights, constructed in 1939 and last remodeled in 1952, had deteriorated over time. The process of replacing and upgrading the roof, skylights, and all the HVAC systems began in April 2018 and was carried out in phases. With construction finished, The Met temporarily closed the full suite of galleries in late March 2023 for reinstallation, in preparation for the November 2023 reopening.

The 2023 Sobey Art Award went to the Calgary-based artist, who is known for her wide-ranging, multidisciplinary approach that incorporates and reimagines Inuk traditions

The 2023 Sobey Art Award went to the Calgary-based artist, who is known for her wide-ranging, multidisciplinary approach that incorporates and reimagines Inuk traditions

BY ALBERT CHEN

In a groundbreaking Christie’s auction on November 9, 2023, Richard Diebenkorn’s seminal artwork, “Recollections of a Visit to Leningrad,” achieved a record-setting price of $46,410,000 US. Painted in 1965, this monumental canvas, measuring 181.3 x 211.1 cm, stands as a testament to Diebenkorn’s transformative encounter with the works of Henri Matisse during a rare trip to the Soviet Union in the 1960s.

Diebenkorn’s journey to the Soviet Union was part of a cultural exchange initiated by President John F. Kennedy and Premier Nikita Khrushchev. During his visit, the artist immersed himself in Matisse’s masterpieces, particularly those housed in the Pushkin State Museum of Fine Arts in Moscow and the State Hermitage Museum in Leningrad (now Saint Petersburg). This experience had a profound impact on Diebenkorn, inspiring a shift in his artistic approach towards abstracted planes of rich and vibrant color.

Richard Diebenkorn, born on April 22, 1922, a celebrated figure for his influential contributions to the art world, left an enduring mark on abstract expressionism and the Bay Area Figurative Movement during the 1950s and 1960s. In the late 1960s, Diebenkorn entered a prolific phase marked by the creation of his iconic series of geometric, lyrical abstract paintings, famously known as the Ocean Park paintings. These masterpieces played a pivotal role in propelling Diebenkorn to international acclaim, establishing him as a luminary in the art community.

“Recollections of a Visit to Leningrad” serves as both an homage to Matisse and a documentation of the evolving art world in the 1960s. Departing from his earlier dynamic brushwork and figurative elements, Diebenkorn embraced bold geometric planes of jewel-like color. The composition, bisected by strong vertical lines, offers a highly abstracted view of a landscape, reminiscent of looking through a window. The painting captures the essence of Diebenkorn’s exploration of interior versus exterior space, a theme he had been delving into since the late 1950s.

The upper left quadrant of the canvas features highly decorative floral curlicues, a direct reference to Matisse’s revolutionary work, “Red Room (Harmony in Red)” (1908). Diebenkorn’s interpretation, however, takes a more capricious route with pronounced twists and turns, creating a densely patterned and Nabis-like decoration.

Diebenkorn’s artistic evolution was characterized by a continual reinvention of his style. As a critical founding member of Bay Area Figuration, he introduced human forms into his abstractions in the mid-1950s. Following his visit to the Soviet Union, he transitioned to the abstract Ocean Park series, lauded by critics as one of the most majestic achievements of the second half of the century.

The painting, showcased in significant retrospectives, including the Albright-Knox Art Gallery’s “Richard Diebenkorn: Paintings and Drawings, 1943-1976,” occupies a pivotal place in Diebenkorn’s oeuvre and postwar art. The exceptional provenance, with the current owner acquiring the painting in 1969, adds to its significance. “Recollections of a Visit to Leningrad” remains a masterpiece that signifies a crucial moment in Diebenkorn’s career and the broader trajectory of postwar art, seamlessly blending influences from European modernism with distinctly American elements.

Founded in 1766, Christie’s is a world-leading art and luxury business with a physical presence in 46 countries throughout the Americas, Europe, Middle East, and Asia Pacific, and flagship international sales hubs in New York, London, Hong Kong, Paris and Geneva. Renowned and trusted for our expert live and online-only auctions, as well as bespoke Private Sales, Christie’s unparalleled network of specialists offers our clients a full portfolio of global services, including art appraisal, art financing, international real estate and education. Christie’s auctions span more than 80 art and luxury categories, at price points ranging from $500 to over $100 million. 

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