The London institution will now reinstate Yilin Wang’s translations and is reviewing its permissions policy
The London institution will now reinstate Yilin Wang’s translations and is reviewing its permissions policy
The auction house is pursuing the primary market with the new digital platform, which will sell monthly “drops” of limited editions by artists such as Cj Hendry
Jean-David Malat is a distinguished celebrity art curator and owner of JD Malat Gallery. His collaborations with icons like Madonna, Kate Moss, Dolce & Gabbana, and Bono have solidified his prominence within the art world. Jean-David’s perspective within the art community stands out due to a unique blend of expertise, evoking admiration and garnering accolades. This quality makes him an engaging interviewee, as his insights possess the power to captivate and enlighten.
With a convergence of experiences, a profound understanding of the ever-evolving art industry, and collaborations with luminaries, JD offers a perspective as compelling as it is illuminating. His journey through the tapestry of art, culture, and collaborative endeavors with celebrities presents a riveting narrative that consistently augments the enriching fabric of the artistic landscape.
What is the most expensive artwork, collection, or exhibition that you had to work with?
In the past, I facilitated the sale of remarkable pieces by Chagall and an important Francis Bacon diptych for approximately 10 million USD.
What have you learned from working with celebrities such as Madonna, Kate Moss, Dolce & Gabbana, and Bono? Can you share any memorable stories about them with our readers?
Maintaining discretion with my collectors and offering them the best advice has always been my approach. A notable memory is when Pierce Brosnan visited my gallery in Mayfair during my first exhibition with Henrik Uldalen. He congratulated me on the gallery’s opening, which was a moment I’ll always cherish.
Can you tell our readers about your childhood, family, and the environment you grew up in? Were you an artistic child?
I grew up in a Paris suburb with my parents and my two sisters. My dad was a furrier, and my mother was a bookseller. Although my family wasn’t particularly connected to the art world, my mother occasionally took us to museums like the Musée d’Orsay or the Louvre on Wednesdays. My initial exposure to art came from selling Parisian souvenirs near the Musée d’Orsay, where I engaged with tourists about the museum’s art collection.
What inspired you to choose art as a career?
Art wasn’t initially on my career path. When I arrived in London in 2000, I began working as a sales assistant at a fashion store on Sloane Street with minimal funds. Over time, I advanced to become the Manager and Director of the brand. However, I realized the fashion industry wasn’t my long-term calling. In 2002 or 2003, during my visit to the Tate Britain, I encountered a Francis Bacon Exhibition that ignited my interest in art. In 2005, I started as a sales assistant in a commercial art gallery in London, which marked the beginning of my journey in the art world.
Can you share your success story about how you became a renowned figure in the art world?
I dedicated more than 15 years of hard work, often for six to seven days a week, to learn and grow. After gaining experience from working for others, I knew I would eventually establish my own gallery to follow my artistic vision. Though I once focused on secondary market sales, such as works by Picasso, Renoir, Bacon, and Chagall, the joy of connecting collectors with art I believed in was incomparable. This sentiment led me to establish JD Malat Gallery in 2017 and open the gallery on Davies Street in June 2018.
How do you approach curating art for high-net-worth individuals?
There’s no fixed rulebook. Regardless of the audience’s financial status, it’s imperative to always consider your audience when curating any exhibition. The curation must be convincing, and success will follow suit.
In your experience, what are the biggest mistakes high-end art buyers make?
A common error is following trends blindly. While most of my clients avoid this pitfall, it’s evident how easily one can be swayed to buy based solely on hype. To be a discerning collector, one needs genuine love and appreciation for an artist and their work.
What do you believe are the key elements that make a successful collaboration between an art curator and an artist or celebrity?
In my perspective, trust and open-mindedness are paramount. As a curator, you act as an interpreter, mediator, and gatekeeper for the artist. When working with celebrities, privacy is of utmost importance.
What sacrifices did you have to make to become successful in this business?
I’ve dedicated a substantial amount of my personal time. Driven by ambition, I allocate most of my time to my artists and the gallery.
Do you collect art, and if so, can you share anything about your most interesting pieces?
I possess one of Kojo Marfo’s earlier works, which graces my home. Additionally, I own exquisite pieces by Damien Hirst, Ed Moses, and Keith Haring.
Part 2 is Coming Soon!
www.JDmalat.com
Interview organized by Plus 1 Communications. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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Preview: best art exhibitions in Europe, fall 2023
A first look at some of the most interesting art exhibitions that will be on view in Europe in autumn 2023.
Image: Frans Hals, ‘The Laughing Cavalier’ (detail). The Wallace Collection, London // Sources: Belvedere, Vienna / National Gallery, London / Royal Academy, London / Museo Thyssen, Madrid / Munch Museum, Oslo / Louvre, Paris
Louise Bourgeois – Belvedere, Vienna (22 September 2023 – 28 January 2024)
Presented in the Baroque galleries of the Lower Belvedere, Louise Bourgeois’s paintings from the 1940s will be placed in dialogue with a selection of sculptures, installations, drawings, and prints from all periods of her storied career. The exhibition represents the first time these paintings will be exhibited as a body of work in Europe, and it is the first major exhibition of Bourgeois’s work in Vienna in a generation.
Marina Abramovic – Royal Academy, London (23 September — 10 December 2023)
In Abramović’s first major exhibition in the UK, the exhibition brings together works spanning her 50-year career. Curated in close collaboration with the artist, the exhibition will offer visitors the sort of intense, physical encounter for which she has become known. Abramović will participate in the programme of talks and events surrounding the exhibition.
Frans Hals – National Gallery, London (30 September 2023 – 21 January 2024)
One of the world’s best-known pictures Frans Hals’s ‘The Laughing Cavalier’ will be loaned for the first time in autumn 2023. The portrait will be a major draw in an exhibition at the National Gallery that will be the largest devoted to the artist’s work for more than thirty years.
Picasso. The Sacred and the Profane – Museo Thyssen, Madrid (4 October 2023 – 14 January 2024)
The exhibition includes some thirty works that will be presented in three rooms on the first floor of the museum. Works by Picasso belonging to the Museum and various loans from the Musée national Picasso Paris and other collectors and institutions will be in dialogue with paintings by El Greco, Rubens, Zurbarán, Van der Hamen, Delacroix, a sculpture by Pedro de Mena and engravings by Goya.
Munch’s Goya – Munch Museum, Oslo (28 October 2023 – 11 February 2024)
This exhibition demonstrates how Goya’s art was rediscovered and exhibited in the late 19th century, which allowed Edvard Munch and his artistic contemporaries to be exposed to Goya’s universe. The drawings, paintings and prints by Munch are not intended to claim a direct link between the two artists, but act as a reminder that exploring the murkier, mystical, grotesque side of humanity is an obsession shared by artists of all periods.
Claude Gillot – Louvre, Paris (9 November 2023 – 12 February 2024)
Draughtsman and engraver Claude Gillot (Langres, 1673–Paris, 1722) owes much of his reputation to the whimsy of his drawings and the freedom of his prints, earning him the image of an undisciplined artist. By bringing together some one hundred works, this show seeks to demonstrate that drawing, in its technical diversity, was Gillot’s favoured means of expression – his painted work, in contrast, is rare, being limited to a dozen canvases, some of which raise questions of attribution.
