Category Archives: Exhibitions

ROCI project was seen in ten countries in the 1980s including the Soviet Union and Cuba

A show studded with masterpieces by the Dutch-American Abstract Expressionist—but the Italian connection is tenuous

The show at the Palazzo Cavanis includes 15 works in which the Polish artist uses the device of concealment to critique historical depictions of women

Jasleen Kaur and Delaine Le Bas also in the running for Tate’s established contemporary art prize

An immersive exhibition brings the Nova Music Festival’s campgrounds—including tents and burned-out cars—to Lower Manhattan

Katrin Fridriks and Jan Kaláb have achieved a remarkable synergy in their collaborative endeavor “PERFECT STORM,” seamlessly blending their individual artistic expressions to create mesmerizing pieces characterized by dynamic movement and vibrant color palettes. From their studios in the south of France and Prague, they collaborate closely, meticulously enhancing and refining each other’s work, resulting in a partnership marked by immaculate attention to detail.

In this interview, Katrin and Jan delve into the genesis and evolution of their collaborative works, highlighting the unexpected synergies that arise from merging their distinct artistic styles. Emphasizing the importance of respect and openness in their collaboration, they explore the delicate balance they’ve struck between their divergent approaches.

Could you highlight a particular artwork that both of you are especially proud of? What makes this piece stand out among your body of work?

Katrin: Two artworks that are exhibiting right now in Venice, “CC Atlantean Thunderstorm” and “Inner Space of Red Moon 523” at the European Cultural Centre, where we both worked and painted each other’s art. The first is Jan’s work, which I overlay with paint in one shot. It’s perfectly well balanced between us in size, shape, color tones, and mass of paint.

The one-shot splash is from a technical aspect and super sharp in macro details; it’s really beautiful, and I am very fond of it. The second piece is my round painting covered in full macro leaking technique, which Jan overlayed with aerograph paint and a super-refined white stroke brush, very elegant and very balanced. I am very proud of these two particular works.

Your individual artistic styles, one characterized by speed, gravity, and flow, and the other by depth, geometry, and slow motion, initially appear divergent. How do you navigate these stylistic differences in your collaborative works, and have you discovered any unexpected synergies emerging from this juxtaposition of styles?

Katrin: It was unexpected how well our works meld, conceptualize, and interact, that’s for sure. I think it’s very important to respect each other’s spaces first and foremost; I navigate by searching for balance, both from the artists as well as their works. In our case, I love the simplicity yet repetitiveness, shading colors tones from Jan and with my works. It’s totally unexpected, spontaneous, hazardous, so you never know what will come; you have to construct it step by step.

Each collaboration is a new experience. I found it super exciting this research of approx. 20 pieces. In my opinion, 12 of them are excellent pieces. I tried many different approaches such as with the artwork “Butchered by Richter, M. Ducamp” presented at BC Gallery in Switzerland. My approach was that I ripped off the painted canvas from Jan’s smaller works; that moment I was so annoyed, after restretching it differently, and reinstalled it on his frame which I spray-painted it in pitch black, sometimes “less is more” are great surprises.

How has your art evolved since the inception of your collaboration?

Katrin: I’ve been very inspired by reworking new fronts and backgrounds with my team at the Studio, especially new monochrome colors and researching new color tones. There’s also something very new like “Pastel” Sunset Color Tone coming for Knokke at Galerie Sept – on the Belgium coast this summer and a solo project “Metallic Copper Color” in London at JD Malat gallery in autumn.

Did you immediately recognize the significance of what you were creating, or did it involve a process of trial and error to refine your collaborative approach?

Jan: It wasn’t an immediate realization of the significance of what we were creating. Rather, it involved a considerable process of trial and error. Collaborating with an artist whose approach differs so greatly from mine meant that each step was a discovery and a challenge.

We needed to refine how we interacted with each other’s work, finding a balance between our distinct styles. This iterative process was crucial in developing a synergy that respected both of our artistic expressions while also creating something new and vibrant. Each artwork evolved as a conversation in colors and forms, shaping our understanding of the project’s potential impact as we progressed.

Could you highlight a particular artwork that both of you are especially proud of? What makes this piece stand out among your body of work?

Jan: My favorite piece is the round painting called “Inner Space of Red Moon 523”. Katrin just added this unfinished painting of hers to the first exchange package. When I opened the shipment in my studio, I was surprised and challenged to work on this unexpected one. This process highlighted the importance of flexibility and openness in collaboration, allowing us to respond creatively to the unexpected elements each of us brought to the table.

Your individual artistic styles, one characterized by speed, gravity, and flow, and the other by depth, geometry, and slow motion, initially appear divergent. How do you navigate these stylistic differences in your collaborative works, and have you discovered any unexpected synergies emerging from this juxtaposition of styles?

Jan: Reflecting on my collaboration with Katrin, I would say that the journey was exploratory, with each session at the canvas teaching us more about our combined potential. We had to learn how to merge our distinct artistic voices, which involved a significant amount of adaptation and experimentation.

The process was a continuous dialogue, not just between us as artists but also between our differing techniques. This collaboration pushed me out of my comfort zone and taught me the value of trusting another artist’s vision within my own work. Ultimately, it was an enriching experience that broadened my perspective on what is possible when contrasting styles converge creatively.

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Also Read:

Tectonic Worlds Collide in The Perfect Storm! A Collaborative Exhibition by Katrin Fridriks and Jan Kaláb at BC Gallery in Basel

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Story submitted by Maximus Communications. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News

The post Harmony in Contrast: The Artistic Synergy of Katrin Fridriks and Jan Kaláb – Exclusive Interview appeared first on World Art News.

Racing aficionados and collectors are gearing up for an electrifying moment at The Bonhams|Cars Monaco Sale, ‘Les Grandes Marques à Monaco’, on May 10th, as one of the most historically significant Formula 1 cars makes its way to the auction block. The 1957-58 Lotus-Climax Type 12 chassis ‘353’, estimated at €290,000 – €390,000 ($308,000 – $415,000), is poised to steal the spotlight, offering enthusiasts a chance to own a piece of motorsport history.

This iconic vehicle holds a special place in Formula 1 World Championship racing history, serving as the debut contender for the legendary British marque Lotus. Notably, it marks the very car in which the illustrious Graham Hill made his debut at the revered Monaco Grand Prix, a race he would go on to win five times.

The Lotus-Climax Type 12 chassis ‘353’ carries with it a rich tapestry of anecdotes, including its affectionate nickname, the ‘Figgy Pudding Grand Prix’. This moniker was born from a daring Christmas Day drive in 1957 when racing journalist Denis Jenkinson took the car for a spin on British public roads, much to the surprise of onlookers.

Beyond its colorful history, ‘353’ holds significant racing credentials, contributing to Lotus’s seven Formula 1 Constructors’ World Championship titles. Piloted by racing icons such as Graham Hill, Jim Clark, and Jochen Rindt, this vehicle epitomizes the pinnacle of motorsport excellence.

The genesis of the Lotus Type 12 design can be traced back to Colin Chapman, the visionary founder of Lotus Cars. Chapman’s innovative approach to engineering produced a series of groundbreaking vehicles, with the Type 12 serving as the marque’s foray into Formula 1 competition.

Initially built for Formula 2 racing, the Type 12 underwent modifications to meet the demands of Formula 1, culminating in its debut at Silverstone in 1958. Despite initial challenges, the car showcased its potential, laying the groundwork for Lotus’s future dominance in the sport.

Following its racing career, ‘353’ embarked on a journey across continents, changing hands amongst private collectors before undergoing a meticulous restoration process. Today, it stands as a testament to automotive craftsmanship and racing heritage.

Clive Chapman, head of Classic Team Lotus and son of Colin Chapman, encapsulates the sentiment surrounding ‘353’ in his quote from the book Lotus 12 Chassis No. 353: The History, expressing a desire for every Team Lotus racing car to boast such a remarkable legacy.

As the gavel falls at the Bonhams|Cars Monaco Sale, anticipation is high as to who will become the custodian of this iconic racing artifact, ensuring its legacy endures for generations to come.

Bonhams|Cars uniquely offers a choice of live, online and private platforms for buying and selling collector cars—platforms characterized by levels of trust, reliability, and transparency born of over three decades of experience as the premier automotive auction house. Through prestigious live auctions around the world, 24/7 online auctions, and our recently introduced Private Sales service, Bonhams|Cars makes it simple for buyers and sellers to find the platform that best meets their needs.

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Also Read

1904 NAPIER SAMSON L48: The First Car to Break 100MPH in America Goes to Auction

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Story submitted by Bonhams. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News

The post Historic First-Ever Formula 1 Lotus Climax Type 12 Chassis ‘353’ to be Sold for Nearly Half a Million in Monaco appeared first on World Art News.

Works by artists from the region and diaspora appear alongside objects from the museum’s collection

The proposed bill has also been referred to as the 'Russia law'