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Kimbell Art Museum exhibits the Battle of Pavia Tapestries

Kimbell Art Museum exhibits the Battle of Pavia Tapestries

From June 16 to September 15, 2024, the Kimbell Art Museum presents the exhibition “Art and War in the Renaissance: The Battle of Pavia Tapestries

Source: Kimbell Art Museum · Image: Bernard van Orley, William Dermoyen, “The Battle of Pavia”, tapestry, 1528-1531

In the Renaissance, monarchs and religious leaders glorified their power and wealth through the art of tapestry, commissioning some of Europe’s greatest artists to commemorate significant events through the lavish medium. Monumental tapestries, much more costly than paintings, could serve as immersive and elaborate tools for dynamic storytelling and political propaganda, depicting histories in fine wool, silk, and metal-wrapped thread at monumental scale.

Art and War in the Renaissance: The Battle of Pavia Tapestries marks the first time that this entire cycle of seven large-scale tapestries—some of the most awe-inspiring examples of this often-overlooked artform—has been on view in the United States. The tremendous images, each about twenty-seven feet wide and fourteen feet high, commemorate Emperor Charles V’s decisive victory over French King Francis I that ended the sixteenth-century Italian Wars. Designed by court artist Bernard van Orley, the tapestries were woven in Brussels by Willem and Jan Dermoyen in deeply saturated hues and exquisite detail, luxuriously highlighted with gold. Each composition is packed with figures including richly adorned military leaders, horsemen, and mercenary foot soldiers armed with swords, pikes, and firearms, all inhabiting beautifully undulating landscapes dotted with hills, towns, and forests. The immersive scale of the tapestries draws viewers into the world of Renaissance history, military technology, and fashion and will be complemented by impressive examples of arms and armor from the period.

Art and War in the Renaissance: The Battle of Pavia Tapestries is organized by the Museo e Real Bosco di Capodimonte and The Museum Box in collaboration with the Minneapolis Museum of Art, the Kimbell Art Museum, and the Fine Arts Museums of San Francisco.

14th Century Vajradhara Figurine Sells for €4.16 Million as Speelman Collection of Ancient Himalayan Art Achieves €15.2 Million at Auction

Gilt copper alloy figure of Shri Devi by ‘Sogyal’, 15th century © Bonhams

In a spectacular display of auction prowess, the Jules Speelman Collection garnered a total of €15.2 million at Bonhams Cornette de Saint Cyr in Paris, far surpassing its pre-sale estimate of €4.2 million. The auction, consisting of 28 exquisite lots, was 93% sold by lot and 100% by value, underscoring the intense demand for Asian Art and Buddhist Sculpture curated over 60 years by the esteemed dealer and collector, Jules Speelman.

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The highlight of the auction was a gilt copper alloy figure of the Vajradhara from Nepal’s early Malla Period, dating back to the 14th century. This remarkable piece sold for an astounding €4,162,400, far exceeding its pre-sale estimate of €600,000 to €800,000.


With these impressive results, Bonhams has firmly cemented its dominance in the Himalayan art market, achieving a global total of €20 million for 2024.


A gilt copper alloy figure of the Vajradhara, Nepal, early Malla Period, 14th century © Bonhams

The auction room was buzzing with activity as buyers competed both in person and over the phone for the rare and meticulously collected items, resulting in four lots each achieving prices above €1 million.

Asaph Hyman, Global Head of Chinese Ceramics & Works of Art at Bonhams, remarked on the success: “Following a tour in Beijing, Chengdu, Shanghai, Hong Kong, Taipei, and Switzerland, this extraordinary sale celebrating a lifetime’s experience, expertise, and devotion, achieved historical results. Jules Speelman is one of the greatest and most respected dealers and collectors of Chinese and Asian works of art. He is renowned for his exceptional eye for both rarity and quality, as was demonstrated by the immense enthusiasm for the collection from collectors worldwide.”

Gilt copper alloy statuette of Hevajra, Central Tibet, 15th-16th century © Bonhams

Edward Wilkinson, Global Head of Himalayan & Southeast Asian Art, echoed this sentiment, stating, “Jules Speelman’s eye for quality and dedication to Himalayan Art over the past 50 years has been recognized by the market. It has been an incredible honor to be entrusted with his personal collection, and it is no wonder it inspired such passionate bidding from clients around the world.”

Jules Speelman himself expressed his delight after the sale: “I was touched by how the objects I have cherished for so many years were admired by worldwide collectors. This was a very special occasion for me, and my family and I was delighted with the results. I am most grateful to all the collectors who have participated in the auction and to Bonhams team for all their great efforts.”

Jules Speelman in his study in London © Bonhams

The auction featured several standout pieces, each achieving remarkable prices. A 17th-century parcel gilt silver and gilt copper alloy figure of the eight-armed goddess Ushnishavijaya, adorned with turquoise stones, sold for €3,920,400, well above its estimate of €600,000 to €800,000. This piece, representing a Buddhist mantra associated with longevity and favorable rebirth, exemplifies the exceptional craftsmanship of Newari artisans at the Tashilunpo monastery.

A parcel-gilt silver and copper alloy figure of Ushnishavijaya, Tibet, Tashilunpo, 17th century © Bonhams

Another highlight was a gilt copper alloy figure of Virupa, attributed to Sonam Gyaltsen from Central Tibet, circa 1430-50, which fetched €1,258,400 against an estimate of €150,000 to €200,000. Additionally, a gilt copper alloy figure of Shri Devi by ‘Sogyal’, likely Sonam Gyaltsen, from the 15th century Central Tibet, Densatil Monastery, circa 1431-35, sold for €1,076,900. Lastly, a silver-inlaid brass figure of Vajrapani from Central Tibet, 11th/12th century, achieved €762,400.

A silver inlaid brass figure of the Vajrapani, Central Tibet, 11th century/12th century © Bonhams

About Jules Speelman


Jules Speelman’s journey in the antiques trade began in 1964 when he joined his late father, Alfred, in their family business. The Speelman family has a rich history in the antiques trade, spanning three generations back to 19th century Holland and later expanding into England.

Initially, A & J Speelman dealt with a diverse range of antiques, including European ceramics, silver, tapestries, and furniture, as well as Chinese porcelain and works of art. Under Jules’s direction, the focus gradually shifted towards Asian art, and today, A & J Speelman is considered one of the foremost dealers in Asian antiques, with a particular emphasis on figurative sculpture and works of art from the past 2000 years.

Jules Speelman Collection © Bonhams

The overwhelming success of the Jules Speelman Collection auction is a testament to his unparalleled eye for quality and rarity in Asian art. The extraordinary results of this auction not only celebrate Speelman’s lifetime of dedication to the field but also highlight the continued and growing appreciation for Asian and Himalayan art among collectors worldwide.


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Record-Breaking Sale: Ancient Tibetan Sculpture of Virupaksha Achieves $4.85 Million at Bonhams Hong Kong Auction


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