Materials related to the conceptual artist’s multilayered project, “Depreciation”, will go on view at Dia Chelsea
Category Archives: Stories
Robinovitz's most recent art purchase was Yoora Lee painting from Half Gallery’s booth at Expo Chicago
Brown's survey exhibition at New York’s Metropolitan Museum of Art brings fresh eyes to a time-tested medium
Employees across the sector are turning to unions to fight for better wages, benefits and working conditions
On this blog we bring you the very best Ai information and (stories) that we can find across the internet.
We never fail to bring you the very best Artificial Intelligence info and stories, no matter how crazy, looney or untrue they may be – they are all very interesting nevertheless.
But please be aware – always put the emphasis on the word (Stories)!
Art Abstract Expressionism Artist UK is a very popular art blog in its own right, and already it is being said in wider student circles that it will definitely become the very best top recommended student blog there has ever been in the history of the World Wide Web.
The concept of prolonging human life by downloading consciousnesses into synthetic bodies has been a fixture of science-fiction for decades, with the 1964 sci-fi novel “Dune” terming such beings as “cymeks.”
Some experts today believe that “mind uploading” technology could, in fact, be feasible one day — but the timeline is incredibly unclear.
A robot is the result of extreme electronics and mechanical imagination.
A robot, being an electronic device in its core, is expected to use only a chip/super chip, with bios containing strategically programmed analytical strings to perform the expected human-like functions.
But human brain is perishable once we are dead (since made with flesh and blood) which, naturally, cannot be connected to a robot’s mechanism.
Even if tactfully connected, it may decay after sometime and loose connectivity resulting in malfunctions.
With the knowledge we posses now, it (seems) that a human brain cannot be transplanted into robotic bodies.
Robots can be made immortal by an immortal owner or a series of mortal owners.
Just like a electronic amplifier made before 40 years or a mechanical record changer made before 50 years can be restored and made to work, the robot can be made to work continuously and thereby attain longevity by enthusiasts.
But, practically, the robot’s knowledge will have to be improved periodically like computers; chips/operating systems may need to be replaced, to expand their purview of operation, like usage of updated applications, and so on; accordingly, their circuitry may need to be re-engineered.
Added to these, the electronic components, connecting mechanism, etc., may need replaced/reshaped in upgraded designs; hence, instead of restoring the obsolete technique into modern one, considering the cost and labour involved, a brand new robot will be devised.
Hence, its immortality will be nullified.
Under the circumstances, immortality of a robot, though may be possible, but not viable in an ever growing modern technology and transplanting human brain into a robot (in place of a super chip) may not be technically possible.
Elon Musk says a lot of seemingly fantastical things.
For example: The billionaire Tesla and SpaceX CEO seems to believe that humans will eventually be able to live forever, by downloading their brains into robots.
When a Human is born what knowledge does it have, some instinctual I suspect, that which the Brain has acquired in the womb via its developing sensory functions.
But for the most part we could state the Human child is quite void of useful knowledge for survival.
It takes years for a human child to develop into what we would refer to as a mature adult, depending of course on your specific benchmark for determining so.
So if a computer (AI of sorts Deep Learning) was placed in a robotic body, humanoid in appearance, sensory capabilities and movement capabilities and supported through and to adulthood, maybe a year or so, just joking.
What would be the difference to how we raise and support Humans today.
We believe its possible, and in the works.
Possibly even to upload Human knowledge to a computer or transplanting a Human brain to a Robotic Humanoid.
In a 2019 Wall Street Journal essay, Michael S.A. Graziano, a psychology and neuroscience professor at Princeton University, wrote that mind uploading would require two pieces of technology: an artificial brain, and a scan of a person’s brain that could “measure exactly how its neurons are connected to each other, to be able to copy that pattern in the artificial brain.”
The Conclusion
When you go to sleep how can you know that the human who will wake up tomorrow will still be you?
You can’t be sure.
And actually the only thing that unites you today and you tomorrow is common memories.
The theory is that consciousness appears in every moment.
The illusion of continuity is possible because of memories.
So, you who reads it exist only in the current moment.
Then you disappear.
Another person appears with a memory of the previous person.
The new person has an illusion that he or she existed earlier because he or she has memories of it.
So, you exist only now.
You won’t exist after you read my answer.
And the same applies to uploading your consciousness to a computer.
That won’t be you.
But computer will believe that it is you.
And some other people will also believe it.
It is now absolutely beyond any doubt or dispute that Art Abstract Expressionism Artist UK is now one of the very best and one of the most famous top recommended student website art blogs in the history of the World Wide Web concerning the Blockchain, Artificial Intelligence, ChatGPT, NFT Tokens, Cryptocurrency, Web3 and of course the Metaverse itself in totality.
There is no better art website blog other than Art Abstract Expressionism Artist UK at this point in time.
Part 2 of our Exclusive Interview with Renowned Conservator & Restorer Venizelos G. Gavrilakis
VENIS STUDIOS is a company that specializes in the conservation and restoration of historic artworks and antiquities, combining the scientific and artistic aspects of conservation and restoration. It undertakes conservation and restoration projects of all fixed and portable works of art such as paintings, icon panels, artworks, antiques, historical monuments, etc., in Greece, Turkey, Cyprus, Jordan, United States, and many other nations. Its purpose is to save artifacts and artworks by combining science with art. Recently, The World Art News had the pleasure to interview its President, Venizelos G. Gavrilakis, who shared with us fascinating images, stories, and facts about his unique art career. Here’s Part 3 of that conversation.
How do you determine the authenticity of an artwork before starting the restoration process?
Determining and discussing authenticity is not a simple task; that is why experts are involved. We employ various techniques such as microscopes, x-rays, UV lights, and other methods for analyzing colors, materials, and more. We possess knowledge about the materials and colors utilized in artworks, whether they are new or old, as well as their age, usage, and other pertinent details. Through this meticulous examination, we arrive at a definitive conclusion regarding the authenticity of the artwork. Prior to undertaking any conservation and restoration processes, we conduct scientific and historical research. Furthermore, during the conservation and restoration process, we delve further into examination and research. This entire process necessitates the expertise of a skilled professional or a team of experts.
How do you determine the value of an artwork after restoration?
The notion held by some individuals that the value of an artwork diminishes after conservation and restoration is entirely inaccurate. The assessment of an artwork’s value following conservation and restoration is intricately linked to its authenticity. A professionally conserved and restored artwork, which maintains its authenticity, attains the highest value. This is because the utmost value of an artwork is achieved when it is in its best, authentic condition, with all its original components intact and not concealed. Even when there are damaged parts, they must be restored using professional methods, materials, and techniques consistent with the original work. In this manner, we preserve the authentic nature of the artwork and revive its worth, all while respecting its authenticity.
How do you communicate with clients about the restoration process, progress, and results?
We maintain direct and ongoing communication with each of our clients, keeping them informed at every step of the research and process pertaining to their artworks. We provide comprehensive updates regarding the findings, history, and progress of their artworks. Furthermore, we offer detailed explanations of the actions taken or necessary for their pieces. We prioritize transparency and are readily available to address any inquiries or assistance required by our clients in relation to their artworks. It is this commitment to open communication that has earned us the trust of our clients, who entrust us with their invaluable treasures. Throughout the conservation and restoration process, our clients are welcome to visit our VENIS STUDIOS to witness the progress firsthand. Additionally, even after the completion of our conservation and restoration work, we maintain a follow-up system and keep records to track the condition of the artwork as it is received by the owner. Moreover, we offer consulting services tailored to the specific needs of each artwork.
With which artworks do you like to work the most – paintings, icons, fresco, sculptures?
It’s akin to asking someone which finger they prefer. Personally, I find fulfillment in working on various artworks and antiquities, but I derive particular enjoyment from conserving and restoring Byzantine/post-Byzantine Icons and oil paintings. However, every artwork and antiquity possesses its own unique qualities and intrigue. I hold a deep appreciation for the conservation and restoration of all types of artworks.
How do you balance the artistic integrity of the piece with the need for restoration?
It is essential to grasp the true essence of art restoration, including its focus and purpose. Therefore:
Restoration: Art restoration involves the repair or renovation of artwork that has suffered decay or damage. It aims to return the work to its original, unblemished state and primarily concerns the aesthetic aspects of the artwork.
Focus of restoration: The focus of art restoration is to revive the intended vision of the original artist for the viewer. It entails bringing a piece back to its authentic appearance or function.
Purpose of restoration: The purpose of restoration is to safeguard the integrity and, consequently, the value of an authentic artwork. Restoration treatments strictly uphold authenticity and honor the artist’s originality.
Thus, the key to maintaining artistic integrity lies in respecting authenticity through meticulous interventions and treatments, devoid of any arbitrary actions influenced by personal preferences or other factors.
How do you ensure the safety and preservation of the artwork during the restoration process?
Ensuring the safety and preservation of the artwork during the restoration and conservation process is heavily reliant on conducting thorough research before, during, and after each phase. This comprehensive research plays a crucial role in safeguarding the artwork. It allows us to acquire essential knowledge about the artwork’s unique characteristics, historical context, and materials composition. By understanding these aspects, we can tailor our restoration plan to meet the specific requirements of the artwork. Furthermore, conducting research enables us to identify any potential risks or vulnerabilities, which empowers us to develop effective strategies to mitigate them. By prioritizing research throughout the entire process, we can proceed with confidence, ensuring the safety and preservation of the artwork at every stage.
Part 4 is Coming Soon!
The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
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