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The 2,600 sq. ft Jaipur Centre for Art opens with commercially friendly exhibition and will soon launch an “open-ended” artist residency programme

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The New Delhi fair’s 16th edition—its biggest yet—welcomes 78 galleries and an expanded design section building on the country’s ancient craft tradition

I recently discovered my old-school potholder looms when I was reorganizing all my art supplies and materials in the basement. (Well, my daughter did the organizing since she could “not live with the mess one more minute,” as spoken like a true Virgo.) The loops were old and in bad colors, like the ones that…

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The post Potholder Weaving with Cotton Loops appeared first on ARTBAR.

Slovenian Painting 1848−1918 on view at the Belvedere

From 30 January to 26 May 2025, the Belvedere in Vienna presents the exhibition “The World in Colors: Slovenian Painting 1848−1918”

Source: Belvedere · Image: Ivan Grohar, “The Field of Rafolče”, 1903. Photo: Belvedere, Vienna

Joining forces with the National Gallery of Slovenia, the Belvedere is presenting highlights of Slovenian painting from the era of national emancipation—from the revolution year of 1848 to the collapse of the Austro-Hungarian Monarchy in 1918. 

The exhibition spotlights the defining characteristic of Slovenian painting around 1900: the intensive engagement with color. A focus on the study of its decorative effect, symbolism, expressive power, and technical application was, at that time, found in few other places to the same extent. 

Following Jožef Tominc, the outstanding painter from the pre-1848 period, the second half of the nineteenth century brought forth fascinating personalities such as Jožef Petkovšek and Ivana Kobilca. Around 1900 the group known as the Slovenian Impressionists formed around Rihard Jakopič, Ivan Grohar, Matija Jama, and Matej Sternen. Their style influenced Slovenian art until 1918 and beyond. 

The exhibition will give special attention to Slovenian artists’ ambivalent relationship to Austria and its capital Vienna. Many of these artists studied or lived for a time in Vienna, Graz, or Lower Austria. This ambivalence stemmed from a sense of latent exclusion while at the same time being dependent on state funding. In this context, many documents from the Belvedere Archive will shed a fresh, more nuanced light on the cultural-political ties between Vienna and Ljubljana.

The two black-figure ceramics will remain on view at the Massachusetts museum for up to eight years as part of a new agreement between the institution and the Italian culture ministry

Plus a dreamy Symbolist painting and a Cuban cityscape

Trump dissolved the President’s Committee on the Arts and the Humanities in an executive order reversing Joe Biden’s own executive order reviving it