Our pick of the latest gifts and purchases to enter institutional collections worldwide

The bronze is now expected to sell for up to €2m when it is auctioned in Orléans in February

The house’s auction total saw a double-digit decrease for a second year in a row—but private sales are booming

The 1,500ft-long, coiling earthwork in Utah’s Great Salt Lake is arguably the best known example of Land art

Former minister of state for culture, creative Industries and tourism Margaret Hodge will lead the process

2024 SECA Art Award Exhibition at the SFMOMA

From December 14, 2024, to May 25, 2025, the San Francisco Museum of Modern Art (SFMOMA) presents the 2024 SECA Art Award Exhibition.

Source: San Francisco Museum of Modern Art (SFMOMA) · Image: The San Francisco Museum of Modern Art (SFMOMA) as seen from Yerba Buena Gardens · Image by Beyond My Ken, licensed under the Creative Commons Attribution-Share Alike Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license · retrieved from https://en.wikipedia.org/wiki/File:2017_SFMOMA_from_Yerba_Buena_Gardens.jpg

Rose D’Amato (b. 1991, Whittier, CA) is a pinstriper and painter living and working in San Francisco, CA. As a second-generation sign maker, she is drawn to decorative folk arts, hand-lettering, and the iconic imagery tied to her upbringing and direct experience pinstriping and lettering on lowriders. She is motivated by her intention to learn and implement techniques of handmade modes of production and by doing so explore her artistic lineage. She attended the San Francisco Art Institute and received a BFA in painting in 2016 and afterwards apprenticed and worked at New Bohemia Signs. D’Amato continues to work independently as a painter and has been the Adjunct Professor of Hand lettering at California College of the Arts since 2019. Currently, she is the Headlands Center for the Arts Tournesol Awardee for 2023–2024. She is currently working towards upcoming projects at Gallery 16, BAMPFA, Charlie James Gallery and House of Seiko.

Angela Hennessy is an Oakland–based artist and survivor of gun violence. She constructs sculptures and installations with everyday domestic labor—washing, wrapping, stitching, knotting, brushing, and braiding. Her work has been featured in exhibitions at McEvoy Foundation for the Arts, Museum of the African Diaspora, Oakland Museum of California, and Pt. 2 Gallery, and is in the collections of the de Young Museum and the Crocker Art Museum. Her audio guides, meditations, and poems have been featured at San Francisco Museum of Modern Art, de Young Museum, and SOMArts Gallery. Hennessy holds an MFA from California College of the Arts where she teaches courses on contemporary narratives of death. For many years she served as a hospice volunteer and death doula working with families on home funerals, death vigils, and grief rituals. She has received awards from San Francisco Artadia, Svane Family Foundation, Joan Mitchell Foundation, and the Fleishhacker Foundation. Hennessy is on the advisory board of Recompose Seattle and lectures nationally on aesthetic and social practices that mediate the boundary between the living and the dead.

Rupy C. Tut (b. 1985, Chandigarh, India) studied calligraphy and Traditional Indian painting at the Prince’s Foundation School of Traditional Arts, London in 2016. She previously received a BS from UCLA and MPH from Loma Linda University, CA. She has enjoyed solo exhibitions including at ICA San Francisco; Jessica Silverman, San Francisco; Triton Museum of Art, Santa Clara, CA; and Peel Art Gallery and Museum Archives, Ontario. Tut’s work is in the permanent collection of Crocker Art Museum, Sacramento; the de Young, Fine Arts Museum of San Francisco; Asian Art Museum, San Francisco; and Eiteljorg Museum, Indianapolis, IN. She lives and works in Oakland, CA, and is represented by Jessica Silverman, San Francisco.