The museum switched off comments on one of its Instagram posts after it was flooded with calls for the restitution of the moai objects
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With traditional philanthropic models on the wane, US institutions like the Contemporary Arts Museum Houston and the Andy Warhol Museum are engaging in unconventional partnerships and launching spin-off businesses
Decades after sparking protests, the museum takes another pass at presenting Manhattan’s historical centre of Black creativity
Netflix’s ‘The Crown’ Auction marked a historic moment as over 450 meticulously crafted pieces from the acclaimed TV series found new homes, fetching a remarkable £1,674,000 at Bonhams, London. The auction, which boasted an impressive 100% sell-through rate, exceeded all expectations, showcasing the enduring allure of this beloved show.
The auction, which spanned both live and online platforms, captured the attention of collectors and fans alike. Charlie Thomas, Bonhams UK Group Director for Private & Iconic Collections, expressed his gratitude for the collaboration with Left Bank Pictures, the production company behind “The Crown.” He hailed the event as a resounding success, attributing it to both the series’ undeniable popularity and the exceptional talent involved in its creation.
Among the most coveted items were iconic props and costumes that breathed life into the world of “The Crown.” The top lot, a 1987 Jaguar XJ-SC 3.6L Cabriolet, used to depict Princess Diana’s personal vehicle, fetched an astonishing £70,250, surpassing its estimate fourfold.
Another notable item, the world’s only reproduction of the Gold State Coach, fetched £56,280, nearly doubling its pre-sale estimate of £30,000-50,000.
The funeral procession model of Imelda Staunton as the Queen, prominently featured in the final episode of “The Crown” (Season 6, Episode 10), sold for £53,740, six times its pre-sale estimate of £8,000-12,000.
Additionally, a parquetry and gilt metal mounted cylinder bureau in the Louis XVI style, initially showcased in Season 2 in the Audience Room by Claire Foy, Olivia Colman, and Imelda Staunton as the Queen, realized a selling price of £46,080, significantly surpassing its pre-sale estimate of £2,000-3,000.
Other notable sales included a reproduction of the Coronation Chair (Saint Edward’s Chair) which sold for £25,600, surpassing its pre-sale estimate of £10,000-20,000.
Moreover, a replica of the famous wrought iron gates of Buckingham Palace fetched £12,800, exceeding the pre-sale estimate of £6,000-8,000, while a replica of the façade of Number 10 Downing Street sold for £10,880.
The allure of “The Crown” extended beyond grandeur to encompass the exquisite costumes worn by its stellar cast. Replicas of the Coronation Ceremonial Garments, including the Imperial Mantle and Stole, commanded significant sums, as did the iconic ‘Revenge dress’ inspired by Princess Diana’s fashion statement which sold for £12,800. These pieces not only encapsulated the essence of the characters but also served as tangible connections to the show’s rich narrative tapestry.
Even the smallest details, such as character props and quirky memorabilia, found eager buyers. A humble swizzle stick, used in portraying the Queen Mother, fetched an astounding £1,664, a testament to the fervent dedication of collectors seeking to own a piece of television history. However, beyond the glitz and glamour, the true significance of this auction lies in its charitable impact. Proceeds from the live auction will fund scholarships at the prestigious National Film and Television School (NFTS), laying the groundwork for the Left Bank Pictures – The Crown Scholarship program. This initiative aims to provide fully-funded scholarships for aspiring filmmakers, ensuring that the legacy of “The Crown” extends far beyond the confines of the screen.
A highlight of the live sale was the appearance of actor Alex Jennings, who portrayed the Duke of Windsor in the series. His corduroy blazer and trousers from a pivotal episode found a new owner, further adding to the auction’s allure.
Prior to the auction, an exclusive exhibition at Bonhams New Bond Street drew an unprecedented 30,000 visitors, underscoring the profound impact of “The Crown” on popular culture. In response to the auction’s success, Andy Harries, Chief Executive of Left Bank Pictures, expressed his satisfaction, emphasizing the importance of giving back to the industry that made the series possible. Jon Wardle, Director of the NFTS, echoed this sentiment, highlighting the transformative impact of the auction proceeds on future generations of filmmakers.
As the final gavel fell and the last bids were placed, the legacy of “The Crown” was etched in history, not only as a groundbreaking television series but also as a catalyst for change within the film and television industry.
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Story submitted by Bonhams. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
The post Netflix’s “The Crown” Auction Raises Staggering £1.67 Million at Bonhams London appeared first on World Art News.
Mary Lai is a versatile Korean-American artist based in Los Angeles, California, whose creative ethos centers around the belief that “Art is a universal language that can resonate with anyone.” Her visionary approach finds expression in her dynamic contemporary artwork, which seeks to uplift and evoke profound emotional responses.
With over two decades of experience in the creative industry, this esteemed designer has collaborated with renowned brands and showcased her work at prominent art fairs and galleries worldwide. Here is her Exclusive Interview with The World Art News.
How would you describe your artistic style, and how long did it take you to refine it?
My style can be described as vibrant, modern/contemporary, and playful. It has evolved through several series over the past five years. As an artist continually exploring new mediums and techniques, I believe I have found my creative groove. However, I hesitate to claim mastery of a singular style, as my journey is one of ongoing experimentation and refinement. The beauty of an artist’s career lies in its longevity, and I anticipate further growth and evolution in the years to come.
Can you pinpoint any significant events in your career that have influenced your artistic development?
The pivotal moment in my career occurred with my relocation from New York to Los Angeles, a transition that marked my shift from designer to artist. Drawing upon a decade of experience in design, I seamlessly integrated my knowledge into my visual art practice. The move to the West Coast profoundly impacted my artistic evolution across various dimensions.
Who are your favorite artists, and which works have had the most profound influence on you, and why?
While I admire numerous artists, my top three would include the classics: Picasso, Warhol, and Kusama. Beyond the brilliance of Yayoi Kusama’s artwork, I find inspiration in her personal journey as a trailblazing female Asian artist. Her resilience in overcoming obstacles resonates deeply with me. Witnessing the trajectory of pioneering artists like Kusama underscores the enduring impact of their work and legacy.
What advice would you offer to emerging artists aspiring to pursue a career in art?
Success in the art world is not instantaneous; it requires dedication and perseverance. I encourage emerging artists to prioritize consistent creation, immerse themselves in art communities, and actively engage with exhibitions and galleries. Over time, they will discern whether art is a vocation they are truly passionate about or if it remains a fulfilling avocation. While alternative paths may offer expedient rewards, genuine fulfillment lies in pursuing one’s artistic passion wholeheartedly.
How do you perceive the evolving landscape of the art market?
The evolving art market presents a promising landscape characterized by increased efforts to champion diversity. Historically marginalized groups, including women and artists of color, are gaining long-overdue recognition. Embracing a diverse array of voices enriches the artistic narrative, fostering a more inclusive and equitable environment within the art world.
How do you overcome creative blocks or periods of low inspiration?
I find that altering my surroundings serves as a catalyst for inspiration during creative lulls. By breaking from routine and exploring new environments, I often rediscover my creative spark. Additionally, I advocate for unbridled experimentation, embracing every idea without judgment. This approach transforms perceived blocks into opportunities for exploration and growth.
Do you actively participate in art exhibitions or fairs, and if so, what has been your experience with them?
Participation in art exhibitions and fairs is integral to my artistic practice, with involvement in at least one event per season. While experiences vary, I view each opportunity as a chance to amplify my artistic voice and expand my audience. Direct engagement with collectors and viewers at these events provides invaluable feedback and fosters meaningful connections.
How do you stay abreast of trends and developments within the art world?
Residing in a vibrant creative hub like Los Angeles affords me access to the pulse of the art world. I stay informed through regular visits to art shows, galleries, and museums, often accompanied by fellow artists. Additionally, I augment my knowledge through art podcasts and audiobooks, ensuring continuous immersion in the evolving landscape of contemporary art.
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Interview with Cindy Shaoul – Abstract Impressionist Artist from New York
Interview organized by Maximus Communications. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are opinions only. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News
The post Exploring Creativity: An Exclusive Interview with a Versatile Artist Mary Lai appeared first on World Art News.
Outside of the artists’ work, the pavilion will show projects made in collaboration with the Museum of West African Art
New artists in residence at the Dungeness site also announced
Organisation announces plans for a “museums hub” in Riyadh
Curator Ekow Eshun has brought together portraits from 22 leading artists, including Kerry James Marshall and Lynette Yiadom-Boakye
Proposals by Veronica Ryan and Thomas J. Price include a sweet potato and woman’s head