Photographer adopts two contrasting looks—from pristine to harried—for fashion campaign
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Andre rose to prominence in the New York art world of the 1960s to become a totemic—and controversial—figure renowned for his material-driven sculptures
Andre rose to prominence in the New York art world of the 1960s to become a totemic—and controversial—figure renowned for his material-driven sculptures
The 32 items held in the collections of the two UK museums were taken during wars in the 19th century
Greenpeace and UnMute Gaza organised the action at the museum because it houses Pablo Picasso’s famous anti-war painting “Guernica”
The Hobby Cave, devised by the artist Hetain Patel and Artangel, will bring thousands of handcrafted objects together
John Bonafede, one of the artists who “re-performed” Abramović’s work for the show, claims he was sexually assaulted seven times during its run
Advocate for photochemical film says director Christopher Nolan is saving cinema
Touring show seeks to ‘de-exoticise’ the predominant narrative

Southern/Modern: Frist Art Museum “rediscovers” Art from the first half of the 20th century
From January 26 to April 21, 2024, the Frist Art Museum hosts the exhibition “Southern/Modern: Rediscovering Art from the First Half of the Twentieth Century”
Source: Frist Art Museum · Image: Carroll Cloar. A Story Told by My Mother, 1955. Casein tempera on Masonite; 28 3/8 x 40 1/4 in. Memphis Brooks Museum of Art, Memphis, TN. Bequest of Mrs. C.M. Gooch, 80.3.16. © Estate of Carroll Cloar
The first comprehensive survey of paintings and works on paper created in the American South from 1913 to 1955, “Southern/Modern” features more than one hundred works drawn from public and private collections across the country. The exhibition focuses on artists such as Carroll Cloar, Aaron Douglas, Caroline Durieux, Will Henry Stevens, Alma Thomas, and others who worked in states below the Mason-Dixon line and as far west as those bordering the Mississippi River. It also includes artists from outside the South, such as Josef Albers and Elaine de Kooning, who were instructors at North Carolina’s experimental Black Mountain College, as well as Thomas Hart Benton, Elizabeth Catlett, Jacob Lawrence, and others whose works reflect on Southern experiences from a distance.
Throughout the exhibition, thematic groupings weave together the region’s rich cultures, telling stories of agriculture and industry, class division and racial injustice, natural beauty, and stylistic innovation. Full of vibrant, emotionally charged works, Southern/Modern treats a subject long neglected by art historians and museums outside the region. It shows how in the South as elsewhere, modern artists linked social and aesthetic progress, hoping to change the way people saw their world.
Southern/Modern is organized by the Mint Museum in collaboration with the Georgia Museum of Art.

