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High-End Art and Celebrity Collaborations: Exclusive Interview with Renowned Curator Jean-David Malat | Part 3

Jean-David Malat © JD Malat Gallery

Jean-David Malat is a distinguished celebrity art curator and owner of JD Malat Gallery. His collaborations with icons like Madonna, Kate Moss, Dolce & Gabbana, and Bono have solidified his prominence within the art world. Jean-David’s perspective within the art community stands out due to a unique blend of expertise, evoking admiration and garnering accolades. This quality makes him an engaging interviewee, as his insights possess the power to captivate and enlighten.


Exclusive Interview with Jean-David Malat – Part 2


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In your opinion, what are the most significant challenges facing the art world today, and how do you envision overcoming them?

A substantial challenge lies in ensuring visibility, accessibility, and opportunities for underrepresented artists. The market is saturated with numerous artists, many of whom lack proper guidance. It falls to gallerists and dealers to locate these talents, involving sifting through endless websites, social media, and graduate shows, engaging in conversations with them, and assisting in showcasing their work.

What are the top art trends that you are seeing, and how to capitalize on them?

Presently, abstract and female artists are driving gallery sales – we’ve consecutively hosted three exhibitions featuring female artists. Online sales are also pivotal for galleries, given the accessibility of online platforms and viewing rooms to collectors worldwide. Moreover, I’ve observed an increase in young collectors, both locally and internationally. Hence, maintaining personal engagement with visitors and cultivating a relatable social media presence that appeals to a diverse age range is vital.

Jean-David Malat © JD Malat Gallery

Where will the global art market be in 5 years?

Predicting with certainty is challenging, as it’s influenced by the economic landscape, though there seems to be a slight slowdown at present. Despite the multitude of options available to collectors through art fairs and galleries, I believe that art will remain a safe investment.

What makes a good art curator and how to find one?

A good art curator is someone who is genuinely passionate about their work and can be entrusted with contextualizing and portraying an artist’s work. I’ve had the privilege of collaborating with exceptional curators and have even allowed numerous art writers to curate exhibitions with us due to their substantial knowledge and research-driven approach. Young art advisors, in my experience, often excel as curators, offering fresh perspectives on various themes. My team has successfully taken on this responsibility.

Jean-David Malat © JD Malat Gallery

Can you recall an exhibition that was particularly challenging to curate?

While not a specific one, a recurring challenge is the swift turnaround required for contemporary art exhibitions. Working within the constraints of a commercial gallery necessitates rapid execution without room for error.

How did you overcome the obstacles and achieve success?

Each day in this field presents challenges – you might have a successful show followed by several that don’t meet expectations. Yet, persistence is key. Despite the ups and downs, it’s crucial to continue experimenting and pushing forward.

Jean-David Malat © JD Malat Gallery

As an art curator, you have access to a vast array of artworks. What criteria do you use to select pieces for your high-profile clients?

Understanding the client’s preferences and motivations is paramount. After grasping their tastes and objectives, I can then select artworks that align well with their preferences. Sometimes, a piece may be exceptionally rare or exquisite, and it might resonate with a specific client. Occasionally, clients embrace my suggestions for new artists or specific pieces even when they weren’t initially looking to purchase.

What skills must one possess to be a good art curator?

Strong research skills, a collaborative mindset, and a deep understanding of the intended audience.

Jean-David Malat © JD Malat Gallery

Looking ahead, what are your future plans and aspirations as an art curator, and how do you envision further contributing to the global art scene?

My objective is to facilitate my artists’ international exhibitions and secure more museum acquisitions for them. Personally, I aim to continue leveraging my gallery to spotlight emerging talent and introduce their work to a global audience. We’re expanding with additional spaces and launching a residency program for young artists, starting in Iceland. Moreover, I intend to consistently bring new artists onto the global art stage.

Jean-David Malat © JD Malat Gallery

www.JDmalat.com


Interview organized by Plus 1 Communications. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News

GemGenève 7th Edition: International Show Dedicated to Jewellery Professionals and Enthusiasts Will be Back this November

GemGenève | Photo by David Fraga

The 7th edition of the exhibition catering to professionals and enthusiasts of precious stones and jewelry is scheduled to commence from Thursday, November 2nd, to Sunday, November 5th, within the premises of Palexpo Hall 6, the same venue as the November 2022 edition. Occupying an expansive 14,000 square meters of exhibition space, this event strategically coincides with the significant autumn auctions and other activities during the Geneva Luxury Week. The event’s organizers are diligently crafting a novel layout, set to be unveiled in due course.

As of now, 145 dealers and a total of 156 exhibitors have been meticulously selected to partake in the forthcoming November edition of the exhibition (Numbers subject to change; further updates expected in September 2023). The organizers are already projecting an exceptionally dynamic event, featuring more exhibitors compared to the November 2022 edition (which comprised 176, encompassing 144 dealers), while maintaining an elevated level of exclusivity compared to the May 2023 event (which accommodated 230 exhibitors and 192 dealers).

GemGenève | Photo by David Fraga

Several prominent attributes from past GemGenève events will transition into annual fixtures, notably the Designer Vivarium, which will become a regular highlight during spring editions. A similar approach will be applied to collaborations with educational institutions, including the ongoing partnership with HEAD and the Grand Theatre of Geneva, scheduled next in May 2024. Concurrently, the Donna Jewel project involving students from Galdus School and CREA EYES with Donatella Zappieri will become customary features during autumn editions.

Thomas Faerber, Co-founder of GemGenève
Co-founders of GemGenève, Thomas Faerber and Ronny Totah

Staying true to its distinct formula, GemGenève continues to serve as a trade fair conceived by exhibitors for exhibitors, extending its accessibility to the general public. The event serves as a distinctive platform dedicated to the realm of exceptional diamonds, precious stones, pearls, as well as antique and contemporary jewelry. It spotlights esteemed designers alongside emerging talents, fostering the involvement of prestigious educational institutions and nurturing the designers of tomorrow.

Beyond its role as a conventional trade exhibition, the event is increasingly prioritizing aspects of culture, youth engagement, training, and knowledge transmission. GemGenève is actively exploring novel avenues and initiatives for display. Under the guidance of Director Mathieu Dekeukelaire, the organizers are particularly committed to enhancing the cultural program’s caliber with each new edition.

The formal press conference is scheduled for 11 a.m. on Wednesday, November 1st. Subsequently, the Preview event, attended by local authorities, esteemed guests, and media representatives, will be held on the same day at 2 p.m.

GemGenève | Photo by David Fraga

Event Schedule


In its second iteration, GemGenève returns to the expansive Hall 6, offering a generous exhibition space of 14,000 square meters. While the venue remains consistent with the November 2022 event, the upcoming GemGenève distinguishes itself with a novel main entrance and an updated stand arrangement. This development is prompted by evolving requirements at the Palexpo center and the organizers’ commitment to enhancing the stand placements with each successive edition. The layout for this edition focuses on creating small coffee station-inspired spaces, well-defined main aisles, thoughtfully curated exhibition zones, and comfortable lounges.

Collaborating with the esteemed Parisian design firm Autre Idée since 2021, the organizers have chosen a fresh ambiance for the autumn edition. This new setting aims to encapsulate a mineral-infused yet intimate atmosphere, subtly infused with a touch of Japanese design elements.

GemGenève | Photo by David Fraga

Continuing the tradition of its six previous editions, GemGenève continues to gather an exclusive assembly of international dealers spanning the entire spectrum of the jewelry industry. At the core of this show, meticulously crafted with their preferences in mind, buyers and industry leaders converge to present a remarkable array of elusive pieces awaiting exploration and acquisition. The offerings range from everyday wearable affordable jewelry to antique gems with historical significance, and exceptional pieces that could easily grace museum collections, all the way to contemporary creations embodying the ingenuity of today’s emerging talents.

GemGenève | Photo by David Fraga

Also Read

6th Edition of GEMGENÈVE Jewellery Exhibition Will Feature Emerging Talents & New Designers


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Story submitted by Agence PUR PR. The World Art News (WAN) is not liable for the content of this publication. All statements and views expressed herein are only an opinion. Act at your own risk. No part of this publication may be reproduced without written permission. © The World Art News